Loterre: SAGE: hip-hop

... > sociology > race, ethnicity and migration > black studies > African-American art > hip-hop

... > higher education > postsecondary education > black studies > African-American art > hip-hop

... > civic education > ethnic studies > black studies > African-American art > hip-hop

... > criminology > penology > prisons and correctional facilities > prison life > hip-hop

... > sociology > race, ethnicity and migration > black studies > black culture > hip-hop

... > higher education > postsecondary education > black studies > black culture > hip-hop

... > civic education > ethnic studies > black studies > black culture > hip-hop

... > sociology > social change > activism and social justice > popular culture studies > hip-hop

... > socioeconomic factors > social change > activism and social justice > popular culture studies > hip-hop

... > sociology > social change > activism and social justice > activism and music > hip-hop

... > socioeconomic factors > social change > activism and social justice > activism and music > hip-hop

other subjects > arts and humanities > music > activism and music > hip-hop

... > human geography > regional geography > urban studies > urban culture > hip-hop

... > human geography theory > regional geography > urban studies > urban culture > hip-hop

... > marketing (business) > consumer culture > geographies and histories of consumer culture > urban culture > hip-hop

... > cultural orientations > cultural studies > types of culture > urban culture > hip-hop

... > cultural anthropology > cultural studies > types of culture > urban culture > hip-hop

... > sociology of arts and culture > cultural studies > types of culture > urban culture > hip-hop

social science subjects > sociology > race, ethnicity and migration > media, sports, and entertainment > hip-hop

other subjects > arts and humanities > music > hip-hop

hip-hop

Hip-hop started in the Bronx, New York, as a genre of music based on “DJ-ing,” “B-boying,” graffiti writing, and “MC-ing.” Over time, hip-hop artists addressed concerns pertinent to inner-city inhabitants such as urban poverty and racism in the form of police brutality and racial profiling. Despite its potential for empowerment and emancipation, there are several criticisms leveled against the genre, with the main ones being that it glorifies violence and is sexist and misogynistic. [Source: Encyclopedia of Race, Ethnicity, and Society; Hip-Hop]

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